Interviews, dialogues, reflections, and curatorial projects constitute the central nucleus of this anthology of texts by Lorenzo Madaro, structured over a five-year period through diligent commitment and collaboration with “La Repubblica” and specialized magazines (“Arte,” “Robinson,” “Artribune,” and many others), incessant interaction with key figures in the art world, and an articulated curatorial activity. From this book, readers can draw their own considerations on a scientific yet militant method and a systematic approach to discovering an unexplored dimension of the underlying principles that drive artists, curators, gallery owners, and industry professionals, seemingly distant from each other in terms of genre or sensitivity, yet, in the author’s vision, united by ethical intentions. Thus, Lorenzo Madaro effortlessly approaches both outsider artists and titans of the system, integrating them into a unified and profoundly democratic vision in which everything appears interconnected. Source->>

Lorenzo Madaro is a contemporary art curator and, since November 2, 2022, a tenured professor of Contemporary Art History at the Accademia delle Belle Arti di Brera in Milan. After completing his master’s degree in Art History at the University of Salento, he obtained a second-level master’s degree in Museology, Museography, and Cultural Heritage Management at the Catholic University of the Sacred Heart in Milan. For many years, he has been an art critic for the Rome edition of “La Repubblica” and for “Robinson,” the national cultural weekly of the newspaper “La Repubblica.” He also collaborates with Arte (Cairo Editore), Artribune, Atp Diary, and other magazines, and serves as a consultant for the Rome Quadrennial for the Panorama project and for the magazine Quaderni dell’arte italiana (published by Treccani Arte). He has authored numerous catalogs, essays, and critical contributions on artists from the 20th century to the present day.

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